Art Auction TODAY-September 3rd

Monday, August 30, 2010

Auction Part 2 of the Eyewitness Reports project is on TODAY!

"Winning bidders receive the winning art piece along with an official police report filled out by the artist, a copy of OH NO! signed by Mac Barnett and Dan Santat, and an exclusive limited edition print."
Proceeds go to fund 826LA, a non-profit writing and tutoring center for children, an amazing place that fosters creativity.
So, why mayhem/destruction/robots? check out my blog post about the theme here. My painting features Dan's heroine from OH NO!, atop a taxi in a bumbly traffic jam with her cut-out homemade sign, urging her giant (unseen) frog to DESTROY said robot.

Click here to check out the auction and bid!

For Our Grandmas

Tuesday, August 10, 2010

Ok, get ready for some goosebumps and watch this movie Cecil Castellucci made in honor of her Grandmother for today-the release of Grandma's Gloves! I love this little movie so much:

I think I should take a moment for my own grandmas too. When I got the manuscript, both of them had just recently passed, and both were very close to me. It was difficult at first, but cathartic to paint through it. I had brilliant models for my Grandma's Gloves grandma: Pocca and Nana.


Pocca was Scottish, an accordian player/mother of 5/saint who spoke in the softest southern accent, hugged with the strongest arms, and had a love of endless puns, JOTTO, and children. She let me name her anything I wanted which was "Mocha Pocha" for no apparent reason, so she became Pocca (pronounced "polka") to us all. She always put playtime, imagining and her strong faith before anything "real" and would defend these things fiercely. We lived downstairs for a while, and she and Pop Pop lived upstairs. She had painted toenails. She was one of those high-cheekboned southern beauties in the reel-to-reels, and her family traces their roots back to the Scottish Munroe clan with a castle. She was adept at drawing children's faces and painting cats. One of the last memories I have of her is saving a baby bird that had fallen from its nest. Above: Pocca, Pop Pop, sisters and I on our front porch.


Gloria Denos was my red-haired grandma; an Italian, sauce-making, trend-spotting, feisty little lady with a sarcastic sharp wit and a generous and vulnerable heart. She made us a giant Christmas tree out of presents every year, and called jeans "dungarees". She loved CSI, late night TV, and was more private with her spirit and thoughts, but we later found her journals full of dreams about angels. One of eleven children. She was always our honored guest at Thanksgiving and she saved every single tiny card or drawing from every child, we found them all organized in albums after she died. She would do anything to protect what she loved. She teased, demanded kisses on the cheek, and wore slippers when she came to visit us (and it was the coziest thing ever if Nana came to visit). Her teasing nickname for me was "Shirley". Her handing writing always slanted to the left. Above: Nana and I on the back porch circa 1983.

These ladies loved me in a way that formed me and my art-making.

When I sat down with the manuscript many times, I would just watch flickers of them. I cried a lot too. Due to this emotional struggle and the invigorating stylistic challenge (you can see my growth in the concept art all the way back to 2006 below) this book was the most pivotal work for me of any assignment thus far. I remember beginning and drawing grandma after grandma on loose pieces of paper. I struggled with achieving the "perfect grandma". Concept work 2006-2008, click to enlarge:

The line I loved most of Cecil's in her description of Grandma, was "I run to her and she folds me in her fleshy arms for a big kiss." I decided to make my starting point those soft arms because I knew them well (they were Pocca's). The long string that attaches her glasses belongs to Pocca too. Grandma's spunk and short haircut is Nana's and she is most present in that kitchen scene with her chin in her hand, taking a gossipy story in.
I think a lot of the gardener element and funky clothes, especially in the sunflower scene, are my own mother. Because of her, no matter where we lived, or what our situation was, we were spoiled by her spilling wildflower gardens. She is a passionate gardener and mother. She is not a grandma yet, but she is part of that maternal love that follows you around into stories when you are illustrating things like hugs, and children. The book is dedicated to her for that reason.

I gave this book to Pop Pop (Pocca's husband and my grandfather) for his surprise 80th last weekend. I told him he'd be able to spot Pocca and the "old days" in there. So grateful to have him.

So this a post for the GRANDMAS! For Nana and Pocca and Cecil's grandmother who gave her rich stories in a toaster, and of course for all of the grandmas with us or gone ahead. And Grandmas: your grandchildren will always remember you at your best times, the time you made for us, what your hugs smell like, and how you never forgot to water your violets

---"She's forgotten it all," Mama says sadly.
I tell Mama and the nurse that Grandma didn't forget to water the plants in her room.
They are big and green, and the violets are blooming---
August 10, 2010

OH NO! 826 L.A. Project/Gallery Nucleus

Monday, August 2, 2010

Mind-controlled dogs+city-destroying robot+science fair gone wrong= the premise behind Dan Santat and Mac Barnett's new picture book, "Oh NO"! (Or How My Science Project Destroyed the World). The guys invited illustrators to draw their own visions of that fateful day on supplied materials and even fill out OFFICIAL police reports for a fun way to help raise funds for a great cause.

Original art and police reports will be auctioned in two phases to benefit 826 LA (an amazing non-profit writing and tutoring center) and will also be featured in a show @ Gallery Nucleus in L.A. next week. More information on the project and auction schedule here!

Check out the movie above to see previews of some of the great illustrator submissions. Here's my eyewitness report: desperate knee-socked heroine on the hood of my taxi during ROBOT MAYHEM! Auction details to come.

Congrats to Dan and Mac! The book is so much fun and the monster-flick art is glorious. Click here for some of Dan's juicy concept and interior art here at 7-Imp & watch his movie trailers at the bottom!